I'm reading Steve Erickson's Zeroville for the first time. Not sure what took so long to jump in. But I dig it.

Particularly this bit:

Each scene is in all times, Vikar tells himself, and all times are in each scene. Each shot, each set-up, each sequence is in all times, all times are in each shot, each set-up, each sequence. The scenes of a movie can be shot out of sequence not because it’s more convenient, but because all the scenes of a movie are really happening at the same time. No scene really leads to the next, all scenes lead to each other. No scene is really shot “out of order.” It’s a false concern that a scene must anticipate another that follows, even if it’s not been shot yet, or that a scene must reflect a scene that precedes it, even if it’s not been shot yet, because all scenes anticipate and reflect each other. Scenes reflect what has not yet happened, scenes anticipate what already has happened. Scenes that have not yet happened, have. “Continuity” is one of the myths of film; in film, time is round, like a reel. Fuck, as Dotty would say, continuity.

Reminds me of some of themes I tried to explore in Korsakoff Blight

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